MOVEMENT, MOMENT, MONUMENT / 2018.

MOVEMENT, MOMENT, MONUMENT video, dvokanalna instalacija 7’52’’ 2018. Video rad snimljen je istovremeno s dvije nadzorne kamere. Kadrovi prikazuju eksterijer sportsko-prodajnog centra Koteks Gripe u Splitu, izgrađen povodom Mediteranskih igara. Suvremeni svijet je u konstantnom ubrzavanju i svaki trenutak je relevantan. Svrha nadzorne kamere je uvjeriti u istinitost i relevantnost prikaza. Promatrajući prostor nepromjenjivog kadra i u odsutnosti ikakvog događaja, promatrač ostaje uvjeren u “stanje pod kontrolom”. Manipulacija medijem i promatračem u ovom se radu očituje u trenutcima okretanja listova (fotografija) koji jasno razuvjeravaju i banaliziraju “istinu”, odnosno vjerovanje da se nadzire određeni prostor u određenom vremenu. No, što s onima kojima taj banalni trenutak manipulacije promakne?

MOVEMENT, MOMENT, MONUMENT video, two-channel installation 7’52’’ 2018. The video was recorded using two surveillance cameras at the same time. Film frames show the exterior of the Sports and Sales Centre Koteks Gripe in Split, built on the occasion of the Mediterranean Games. The contemporary world is steadily accelerating and every moment is relevant. The purpose of the surveillance camera is to assure the truthfulness and relevance of the displayed. By looking at an unchangeable film frame and in the absence of any event, the observer remains convinced of the “under control” state. Manipulation of the medium and the observer, in this artwork, is manifested in the moments of turning the papers (photographs) that clearly argue with and trivialize the “truth”, i.e. the belief that a certain space is being surveilled at a certain time. But what about the ones who miss this trivial moment of manipulation